THE ROMAN NUMERAL

These are the basic elements we need to know in improvising. In various articles we've ever had to see writing like this "was the order ii vi ii V7 (Dm, Am, G7, Dm)" LHA if you've given continued tempenya know where coy he he he. Ehem-ehem actually create what we are given out like gituan mbok say the key so I've just create wah wah. In harmony do we almost always find the composition I, ii, iii, IV, V7, vi, and viib7. That's why there is a letter 's looked small and there is a big? The Roman Numeral gives a sign that the chord is minor, major or dominant so once he keberapa sequence in harmony. I and IV (the capital letters) indicate that the position of a chord as the first and fourth in harmony and major type, which smaller minor and V7 mean dominat or fifth chord in harmony. This can take the example of harmony C major scale are C, Dm, Em, F, G7, Am, and Bdim. Kan equal to kayak I, ii, iii, IV, V7, vi, and viib7. If the root D yes I (D), ii (Em), iii (F # m) and so on so. Well if concluded, the use of roman numerals is to communicate as well as a method of analyzing the progression of a song.

if this is exemplified when the basic tone of a song is C

|    C    Am    Dm    G    ||

I      vi        ii     V7

The first C is the chord sequence in C major harmony a major type, Am is a minor sixth, second Dm G minor and dominant chord which is fifth in the harmony. And the others can be practiced alone he he he. . .